All Eastman Johnson Oil Paintings

American portrait and genre painter, 1824-1906 American painter and printmaker. Between 1840 and 1842 he was apprenticed to the Boston lithographer John H. Bufford (1810-70). His mastery of this medium is apparent in his few lithographs, of which the best known is Marguerite (c. 1865-70; Worcester, MA, Amer. Antiqua. Soc.). In 1845 he moved to Washington, DC, where he drew portraits in chalk, crayon and charcoal of prominent Americans, including Daniel Webster, John Quincy Adams and Dolly Madison (all 1846; Cambridge, MA, Fogg). In 1846 he settled in Boston and brought his early portrait style to its fullest development. His chiaroscuro charcoal drawings, of exceptional sensitivity, were remarkably sophisticated for an essentially self-trained artist. In 1848 he travelled to Europe to study painting at the D?sseldorf Akademie. During his two-year stay he was closely associated with Emanuel Leutze, and painted his first genre subjects
 
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Eastman Johnson A Ride for Liberty -- The Fugitive Slaves oil on canvas


A Ride for Liberty -- The Fugitive Slaves
A Ride for Liberty -- The Fugitive Slaves
Painting ID::  71843 		  between 1860(1860) and 1864(1864) Oil on paper board 55.8 x 66.4 cm (21.97 x 26.14 in)
  between 1860(1860) and 1864(1864) Oil on paper board 55.8 x 66.4 cm (21.97 x 26.14 in)

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Eastman Johnson The Sugar Camp oil on canvas


The Sugar Camp
The Sugar Camp
Painting ID::  72992 		  "The Sugar Camp (also known as Making Maple Sugar or Susan Ray's Maple Sugaring Kitchen)," oil on paperboard, by the American artist Eastman Johnson. 14 in. x 23 in. Yale University Art Gallery, gift of Teresa Heinz in memory of her husband H. John Heinz III, B.A. 1960. Courtesy of Yale University, New Haven, Conn. cjr
  "The Sugar Camp (also known as Making Maple Sugar or Susan Ray's Maple Sugaring Kitchen)," oil on paperboard, by the American artist Eastman Johnson. 14 in. x 23 in. Yale University Art Gallery, gift of Teresa Heinz in memory of her husband H. John Heinz III, B.A. 1960. Courtesy of Yale University, New Haven, Conn. cjr

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X

  
Eastman Johnson Fugitive Slaves oil on canvas


Fugitive Slaves
Fugitive Slaves
Painting ID::  73114 		  Date between 1860(1860) and 1864(1864) Medium Oil on paper board Dimensions 55.8 X 66.4 cm (21.97 X 26.14 in) cyf
  Date between 1860(1860) and 1864(1864) Medium Oil on paper board Dimensions 55.8 X 66.4 cm (21.97 X 26.14 in) cyf

Height    Width


  INS/CM       Quality

X

  
Eastman Johnson Sugar Camp oil on canvas


Sugar Camp
Sugar Camp
Painting ID::  74812 		  English: "The Sugar Camp (also known as Making Maple Sugar or Susan Ray's Maple Sugaring Kitchen)," oil on paperboard, by the American artist Eastman Johnson. 14 in. x 23 in. Yale University Art Gallery, gift of Teresa Heinz in memory of her husband H. John Heinz III, B.A. 1960. Courtesy of Yale University, New Haven, Conn. Date circa 1861-1866 cyf
  English: "The Sugar Camp (also known as Making Maple Sugar or Susan Ray's Maple Sugaring Kitchen)," oil on paperboard, by the American artist Eastman Johnson. 14 in. x 23 in. Yale University Art Gallery, gift of Teresa Heinz in memory of her husband H. John Heinz III, B.A. 1960. Courtesy of Yale University, New Haven, Conn. Date circa 1861-1866 cyf

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X

  
Eastman Johnson Negro Life at the South oil on canvas


Negro Life at the South
Negro Life at the South
Painting ID::  80212 		  Negro Life at the South - Oil on canvas - 36 x 45.25 in Date 1859(1859) cjr
  Negro Life at the South - Oil on canvas - 36 x 45.25 in Date 1859(1859) cjr

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     Eastman Johnson
     American portrait and genre painter, 1824-1906 American painter and printmaker. Between 1840 and 1842 he was apprenticed to the Boston lithographer John H. Bufford (1810-70). His mastery of this medium is apparent in his few lithographs, of which the best known is Marguerite (c. 1865-70; Worcester, MA, Amer. Antiqua. Soc.). In 1845 he moved to Washington, DC, where he drew portraits in chalk, crayon and charcoal of prominent Americans, including Daniel Webster, John Quincy Adams and Dolly Madison (all 1846; Cambridge, MA, Fogg). In 1846 he settled in Boston and brought his early portrait style to its fullest development. His chiaroscuro charcoal drawings, of exceptional sensitivity, were remarkably sophisticated for an essentially self-trained artist. In 1848 he travelled to Europe to study painting at the D?sseldorf Akademie. During his two-year stay he was closely associated with Emanuel Leutze, and painted his first genre subjects

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